![]() Image: Ebet Roberts / Redfernsĭuring the days of Hüsker Dü, Mould didn’t have the money for a Gibson Flying V. Combining the collectability of KISS memorabilia with the appeal of Gibson products seems to be a win-win for both parties. For now, though, the guitarist seems content with Washburn. However, because it lacked the classic Gibson arrow-shaped headstock, many didn’t like it.Īs more and more artists return to Gibson, perhaps it’s time Stanley did the same. The electric version sports a mirrored pickguard and a single humbucker in the bridge, and is modelled after the Gibson that Stanley played in KISS in the 1970s. Washburn has produced several signature Flying Vs for Paul Stanley, including a curious acoustic version with a star-shaped bridge in 2012. With Priest’s replacement for KK Downing, Richie Faulkner, getting a run of Gibson signature Vs, it’s fair to say that Downing deserves his own solo signature too. The Gibson Custom Shop did produce KK Downing signature Vs in 2005 but they were sold only as part of a collector’s boxset with Glenn Tipton signature SGs, and only 30 were made. But it’s the guitar Hinds has been using on the band’s latest material, including the 2021 album Hushed and Grim, that we think deserves the signature treatment. Image: Miikka Skaffari / FilmMagicĮpiphone released a signature run with Mastodon guitarist Brent Hinds, who has long favoured the V, in 2016. Given the recent lawsuit, the Nashville brand might want to give the younger Schenker brother his own signature Gibson V, and reclaim one of the paint jobs that inspired so many people to pick up the model in the first place. Michael got a signature V from Dean in 2004, based on the Gibson model he had been playing for the majority of his career. Older brother Rudolf Schenker got his signature Gibson Flying V in 2013 but Michael has yet to get the same, with Gibson anyway. The mirrored black-and-white paint job of Michael Schenker’s V is often replicated but never by Gibson. King also received another V in 1987 – a custom archtop version built by Tom Holmes and commissioned by Billy Gibbons, who gave it to King for his 64th birthday. Albert’s second version of his guitar, which he called Lucy, was built by Dan Erlewine and featured white binding on a walnut body, with a Les Paul-style headstock.
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